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Okkervil River

Okkervil River
Okkervil River - A Dream in the Dark

12 ALBUMS DELIVERED ONCE A MONTH FOR A YEAR

INCLUDING DELUXE LINER NOTES, ARCHIVAL PHOTOS, NARRATED AUDIO, PERSONALIZED HANDWRITTEN LYRICS, PHYSICAL REWARDS AND SURPRISE EXTRAS.

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Okkervil River Tour Dates

VOLUME ONE: ORCHESTRAL IN 2007 Feb 12, 2007

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Track List
  1. Maine Island Lovers
  2. The War Criminal Rises and Speaks
  3. Our Life is Not a Movie or Maybe
  4. A Hand to Take Hold of the Scene
  5. Seas Too Far to Reach
  6. Oh, Precious
  7. I Want to Know (Fugs cover)
  8. Listening to Otis Redding at Home During Christmas
  9. For Real (slow version)
  10. Title Track (first live performance)
  11. Song of Our So-Called Friend
  12. So Come Back, I Am Waiting

Recorded in a large concert hall just as the band was putting the finishing touches on The Stage Names - and featuring the live debuts of several of those songs - Orchestral in 2007 sees the band backed by a full orchestra including a string and brass section and backup singers in the most grandly sweeping show the band had played up to that point. Multi-tracked by Jeff Hoskins (Okkervil River’s sound engineer at the time and the engineer on Stars Too Small to Use) Orchestral in 2007 weaves together selections from the band’s previous three albums, reunites the band with some of the earliest founding members to resurrect some live rarities from very early in the catalogue, and the concert culminates in an electrifying slow orchestral version of “For Real” with Will at piano. Extensive liner notes include photographs and a lengthy excerpt from Will’s diaries documenting the show and the completion of The Stage Names.

VOLUME TWO: A ROOM IN AUSTIN Feb 12, 2000

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Track List:
  1. Happy Hearts
  2. Disfigured Cowboy (early version of “Black Sheep Boy #4”)
  3. Omie Wise (American Traditional)
  4. Satisfy You
  5. Nancy (Orange Mothers cover)
  6. Whole Wide World
  7. My Bad Days
  8. Kansas City
  9. I Can’t Escape from You (Hank Williams cover)
  10. Sexual Healing (Marvin Gaye cover)

One of the first Okkervil River shows captured showcases the band playing acoustically, picked up by one room mic in a tiny club in Austin. This show was recorded shortly after Jonathan Meiburg joined the band and partway through the recording of Don’t Fall in Love with Everyone You See. Enriched by violin, upright bass, national guitar, and accordion, the band plays a crop of extreme rarities, very early versions, selections from the unavailable “first album” Stars Too Small to Use, and unlikely covers for a tiny audience of mostly friends. Liner notes include earliest photographs of the band and a personal essay by Will about the early days of Okkervil River.

VOLUME THREE: BLACK SHEEP BOY - THE ANNIVERSARY CONCERTS Feb 11, 1999

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Track List:
  1. Black Sheep Boy (Tim Hardin cover)
  2. For Real
  3. In a Radio Song
  4. Black
  5. Get Big
  6. A King and a Queen
  7. A Stone
  8. The Latest Toughs
  9. Song of Our So-Called Friend
  10. So Come Back, I Am Waiting
  11. A Glow
  12. (Intermission)
  13. Missing Children
  14. No Key, No Plan
  15. A Garden
  16. Black Sheep Boy #4
  17. The Next Four Months
  18. Another Radio Song
  19. Last Love Song for Now

In 2015, in celebration of Black Sheep Boy’s 10th Anniversary, the band played a string of sold-out shows at New York City’s Bowery Ballroom, performing the album (along with its follow-up EP Black Sheep Boy Appendix) in full and in order. This lush, detailed recording showcases a band made up of old members like Jonathan Meiburg and Patrick Pestorius along with new members like Will Graefe, meticulously re-creating and reimagining Black Sheep Boy with the help of simultaneous cassette samplers and skronking guitar solos, electric violin and trombone, mandolin (learned by Will Graefe for the occasion), pocket trumpet and rich layers of keys. These shows also marked a stylistic turning point for the band, a bridge between two great lineups. One of the concerts was visually documented by frequent collaborator Julie Ruíz of A Horse With No Name, and extensive liner notes intersperse a gallery of her photographs with a wide-ranging conversation between Will and Jonathan.

VOLUME FOUR: THE HOT TUB TAPES Jul 29, 1998

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Track List:
  1. Song about a Satellite [Princeton, Winter 2002]
  2. A Leaf [Austin, Fall 2003]
  3. Dead Faces [Austin, Fall 2003]
  4. Red [Amsterdam, Fall 2003]
  5. Okkervil River Song [Amsterdam, Fall 2003]
  6. He Passes Number Thirty-Three [Munich, Fall 2003]
  7. Listening to Otis Redding at Home During Christmas [Schorndorf, Fall 2003]
  8. The Velocity of Saul at the Time of His Conversion [Schorndorf, Fall 2003]
  9. Jet Lag Banter [Chicago, Winter 2003]
  10. A Damn Good Disguise [Austin, Winter 2003]
  11. In a Radio Song [Chicago, Spring 2004]
  12. For the Enemy [Chicago, Spring 2004]
  13. A Favor [Seattle, Spring 2005]
  14. The War Criminal Rises and Speaks [Austin, Spring 2005]
  15. Get Big [Austin, Spring 2005]
  16. Down the River of Golden Dreams / It Ends with a Fall [Chicago, Spring 2005]
  17. Intro [Boston, Spring 2005]
  18. Maine Island Lovers [Chicago, Spring 2005]
  19. “Okkervil River #2,” by Thax Douglas [Chicago, Summer 2005]
  20. Westfall [Birmingham, Summer 2005]

Jason Callahan was perhaps the first Okkervil River fan - the only person at early Okkervil shows that the band didn’t personally know. Eventually, he made his way into the Okkervil River family and ended up as their traveling merch person on a tour where he was given the nickname “Hot Tub,” and he’s remained friends with all the band members ever since. This raw, rough-and-ready release chronologically presents Jason’s favorite specially re-mastered soundboard and audience tapes captured over a pivotal period in the band’s early history (from shortly before the recording of Down the River of Golden Dreams to shortly after the release of Black Sheep Boy Appendix) adding up to a portrait of a group of young musicians learning how to play on the job, shedding members and picking up new ones, and fumbling their way from innocence to experience. An unpolished and electrifying bootleg feel captures the band in all their ragged hit-or-miss semi-glory. Liner notes include thoughts by Hot Tub himself about his perception of the earliest years of Okkervil River, rare photos from that time, and elaborate and candid liner notes from Will Sheff about each of the song selections and about the band’s long and rocky path from bedroom rehearsal spaces to big rock festivals.


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